All Vinyl New Releases

Originally released in 1989 with the tagline “Bringing house music into the living room,” Fade Out is a landmark Japanese pop/club crossover produced by Haruo Chikada. At the dawn of Japan’s club culture, the track became a staple around Tokyo’s legendary Shibaura GOLD scene, widely embraced as a “danceable kayōkyoku (Japanese pop)” classic.

Today, among European diggers, Japanese techno kayō is undergoing a strong revival and growing reappraisal. Positioned at the heart of this movement, Fade Out now sees its long-awaited official release, featuring previously unreleased remixes with Soichi Terada, Haruo Chikada & OMB.

Performed by Kyoko Koizumi - still evolving as a cultural icon in Japan - Fade Out stands as one of her defining works and a key contribution to the Japanese underground music scene. A timeless piece, ready to be rediscovered in 2026.

1989年、「お茶の間にハウスを」をキャッチコピーに、近田春夫プロデュースのもと日本で発表された、小泉今日子「Fade Out」。

本作は日本のクラブシーン創世記において、芝浦GOLD周辺で「踊れる歌謡曲」として支持を集めた重要作です。

現在ではヨーロッパのディガーたちの間で再評価が進み、リバイバル真っ最中の「和製テクノ歌謡」ムーヴメントの中核を成す楽曲ともいえる本作が、秘蔵リミックスを収録し待望の公式リリース！

現在進行形で日本のカルチャーアイコンとして更なる進化を遂げているキョンキョンこと小泉今日子による、ジャパニーズアンダーグランドシーンでの貴重な功績のひとつであり代表的な国宝級ワークスを是非！

2026年のあなたのお茶の間にお迎えしましょう。

LIMITED PRESSING OF 100 COPIES

Orcas Island began as a spontaneous moment, a sudden burst of post-punk electronic inspiration driven by a desire for freedom in music: to move beyond genre, to create and manipulate sound, to experiment, and to embrace the unconventional.

Blood Sanctum Vinyl w/ Poster

Futurismo präsentiert das legendäre Debütalbum "Only Theatre Of Pain" (1982) der Gothic-Legenden Christian Death in neuen limitierten Deluxe-Formaten - remastert und erweitert um frühe Demos und rarem Material, samt Poster. "Only Theatre Of Pain" gilt als Meisterwerk und Ursprung des Deathrock - ein wegweisendes Epos von unheiliger Kraft und tiefschwarzer Emotionalität. Obwohl seine Wurzeln im Punk liegen – die Ursprünge der Christian Death-Originalbesetzung liegen in der Früh-1980er Hardcore-Explosion in Südkalifornien –, kann die Bedeutung dieses Werks für die nachfolgende Musiklandschaft nicht hoch genug eingeschätzt werden. Wie ein Adrenalinstoß ins Herz der Finsternis entspringt diese ungezügelte und geheimnisvolle Aufnahme bis heute jeder Kategorisierung. Mit dem visionären Rozz Williams (damals noch Teenager) sowie Punk-Legende Rikk Agnew (Adolescents), James McGearty und George Belanger präsentiert "Only Theatre Of Pain" eine musikalische Erkundung, geprägt von psychosexueller Lyrik und einem tiefen Glaubenskampf, aufgenommen innerhalb weniger Tage mit Produzentenlegende Thom Wilson. Klanglich und visuell seiner Zeit voraus, ist dieses Stück sakrilegischer US-Punk ein absolutes Muss für alle, die sich für Gothic begeistern, für Fans von The Misfits, Bauhaus und The Cramps.

Timeless and built by one of the legends who helped define the language of house music. Huge support by Ricardo Villalobos. KBMV001 is not just a debut catalogue number on Shelby own label, it is a foundation stone. Authentic, timeless and built by one of the legends who helped define the language of house music. Klassik Blueprint Muzic opens its catalogue with a statement. Widely regarded as one of the pioneers of the Chicago house sound, Shelby?s history reaches back to the formative years of the culture, with early milestones including ?Essence Of A Dream? under his Risqué III alias in 1987 and ?All For Lee-Sah? on Derrick May?s Transmat in 1989.

That legacy is exactly what gives ?OMG (Oh My God)? / ?Who Wants It DEEP?? its force. This is not nostalgia packaged as heritage, it is a living connection to the raw machinery, groove science and emotional depth that made Chicago house a global language in the first place. Shelby has long been associated not only with classic Chicago house, but also with the tougher edges where acid, techno and Detroit-inspired futurism meet, a cross-current reflected throughout his discography and in the way later reissue culture continues to treat his catalogue as foundational. Pressed on 180g vinyl and coming straight from Chicago, USA, this is a release that connects past, present and future in one gesture: authentic house music from a genuine architect, still speaking with authority.

Strain presents its second vinyl release: a five-track VA exploring different moments of the dancefloor, from early tension to peak-time intensity. The record brings together producers from Argentina, Italy, and Uruguay, connecting distinct scenes and sensibilities within a cohesive sonic journey.

Downtempo legends Coyote offer up a full length of Balearic bliss with Go With The Tide on Universal Cave Records. With one foot in timeless chillout electronica and another in the dubby soundsystem psychedelia of our times, Coyote expand on their distinct cosmic groove with seven songs that dive deep into the sonic underground.

Go With the Tide is a tale of three islands. Coyote drop a heavy dose of modern UK stylings, rumbling bass and chilling vocals, on top of a familiar White Isle dream state while radiating Jamaican dub sensibilities. It’s like coming home from summer holiday and returning to the day to day of city life. The nights grow longer and the air chills, but the shimmering sparkles of sunshine still reflect and refract through your soul.

Coyote pick up that tension between the escapism of summer and the heavier waves of fall, and weave it into a remarkable LP that makes as much sense for a forever summer as it does for an impending winter. For whichever side of that you fall, just Go With The Tide.

Label head Len Faki joins forces with Icelandic dub techno pioneer Exos for Infinity In Loop, a joint exploration into cavernous depths and shifting tonal landscapes.
Two versions of the title track fill the entire A-side, each unfolding with patient intent. Drifting across icy atmospheres and static hums, Infinity In Loop’s first incarnation slowly builds into a mesmerizing, minimalistic loop—punctuated by delicate percussion and a faint, comforting sprinkle of melodic warmth amidst the arctic chill. The second iteration leans more into a classic 90s dub techno framework, launching straight into a steady pulse anchored by echoing chord pairs and crisp, high-energy percussion.
On the B-side, the duo shifts towards raw, dancefloor-driven territory. Aurora delivers impressive tension with dry, jacking rhythms, snappy percussion, and haunting vocal fragments cut up to drive the groove forward. Closing out the EP, Circuit Flux pairs sub-heavy low-end with unpredictable rave energy. Nostalgic 90s vocal cues, pitched-up hooks, and fidgety FX swell and recede over staunch synths—creating a dynamic, deeply layered track that constantly shifts between space and peak-time momentum.

Enlazando el número de referencia (el vol8) con la caja de ritmos mítica y clásica de Roland la Tr808,.. qué puede salir mal? 6 Cortes, 6 Artistas, 6 ideas, 6 visiones de este nuestro amado estilo que llamamos Electro.

Vema-Diodes_ Victory lap:
Contundencia y elegancia, ritmos rápidos, pads ambientales que cuentan una historia futurista. Resumiendo, un rompe pistas como ya nos tiene acostumbrado nuestro macarra favorito del Llobregat.

Dark Vektor_ Haciendo el Robot:
Pues esta vez el tito Vektor se ha puesto el chándal de 1984 (de Emilio tutsy ya que es un vanidoso) y nos trae una muy buena producción al estilo old school homenajeando a los mismísimos Dynamik Bass System y EPG.

Univac_Artic Defender:
Qué decir de uno de los mas grandes del electro de nuestro país, oscuridad, contundencia y sonidaco…electro rozando lo industrial rozando lo hipnótico rozando lo mas profundo de nuestro ser.

Multiplexors_Kill Circuitcenter:
Un Honor poder editar su primera referencia de este dúo formado por Sentex y AM/ALF dos friks de las máquinas y del bass, nos traen un corte muy purista super sintético con alma analógica, vocoders y 808 y lo mas importante: intención.

Calagad13_Cosmic Sailor:
Un honor tener a un grande del electro, un pionero del bass en nuestra tierra, temarrako al mas puro estilo Miami bass con una producción exquisita… un revienta pistas.

Negocius Man_Flying on Vega:
El gran Nego, que decir el Man Machine de Madroit, nos entrega un corte contundente, de culto, sonido oscuro y mental donde entras en su mundo percusivo te atrapa y ya no te deja salir hasta que el quiera.

Richer Arrives On AOD.

LP **LIMITED COPIES** Blue White Spot ColorVinyl

Territories: WORLD EXCL UK,US,CA, AU,NZ

Sound Records is proud to present Tremors in Copper, the debut full-length album from producer, composer and sound designer Jackson Almond.


For listeners of: Clark, Joy Orbison, Overmono, Four Tet, Bonobo, Boards of Canada, Leon Vynehall and Aphex Twin.

Pablo Sánchez´s new solo album “Archipiélago” is out now. The new long player, a follow-up to his “Nocturnal” album as Basic Need will be released on Sisternoise Records and is a 42 minute voyage sailing through uncharted waters.

Every archipelago is a constellation of islands, distinct yet bound by invisible tides. Archipiélago, the latest work from Pablo Sánchez, follows this same geography of sound and memory. Its islands are not of sand and rock, but of places which inspired the artist throughout his life; Buenos Aires, Caracas, Puerto Rico, New York, Madrid, Berlin, and Barcelona. Each city has left a trace, a shoreline carved into Sánchez’s musical journey and left a distinctive musical mark.

The ten songs gathered here are like sovereign entities, each with its own character, its own rhythm, its own language. Together they form a single territory, a map drawn by musical experience, longing, and imagination. They are ports of call, but also fragments of a larger voyage, where tradition and experimentation, nostalgia and discovery, coexist to create a common territory. Along the way guest magicians Animal Feelings and Salomeya add their vocal sparks to the voyage.

Archipiélago is not a destination but a map of crossings, a territory of sound where the journey itself becomes home.

Recorded Things reaches its 50th release with a new vinyl record by label owner Oliver Rosemann.

Rosemann works with tightly reduced structures, obsessive sequences and small, continuous mutations, balancing scientific precision with physical pressure. Tension develops through layering, subtraction and detail rather than obvious gestures, giving the tracks a focused, almost architectural sense of movement.

Terence Fixmer reworks the material through his own vocabulary of dark machine funk, EBM tension and controlled industrial pressure.

For catalogue number 50, the collaboration brings together two individual artistic languages with a shared sense of restraint, intensity and structural clarity.

Rather than looking back, the release marks the milestone with a clear statement of where Recorded Things stands now.

CHIWAX CLASSIC EDITION prouldy presents Boo Williams - Lost Of Time.
This fantastic release from 1995 came originally out on legendary Relief Records.
The 2026 version contains a new mastering.
Don't feed the Discogs Sharks!

Working with sister label OST Recordings, Acid Jazz has reissued 'Family Tree' by Family Tree twice in the last few years, each time with the record immediately selling out, and whilst it will return on the 7-inch format at sometime in the future, they’ve decided to go bigger this time and present the record in the 12-inch format.

‘Family Tree’ is an all-time club classic made by ‘I Specialize In Love’ hitmaker Sharon Brown and her group Family Tree. Original copies of this record regularly sell at over £300. A floor filler, it was Norman Cook’s favourite disco record.

Presented on a smart-looking label and in an even cooler sleeve, both of which are based on the original Ananda label single release, this single couples the original 12-inch disco mix on the A-side, with a B-side that has both the original 7-inch edit and the OST Bonus Beats edit, which makes its 12-inch debut.

In the history of hip-hop, certain collisions alter the orbit of the culture entirely. When Busta Rhymes first stepped into the otherworldly, swing-heavy universe of J Dilla, it was an alignment of two unstoppable titans—the most chaotic, kinetic vocalist in rap history meeting the quiet deity of raw soul and sub-bass perfection. Their original pairing set a gold standard for what happens when top-tier lyrical warfare meets sacred production. Now, the vault opens to unveil DILLAGENCE II: a resurrection of that mythic frequency, bridging the raw grit of the streets with a legendary, earth-shattering grandeur.

Authorized directly from the Yancey estate, DILLAGENCE II pairs Busta’s razor-sharp, rapid-fire flows with Dilla’s nastiest, most sought-after unreleased beats. Built upon rare MPC canvases unearthed from Dilla’s legendary vault, the album captures both masters in a state of absolute, unchained ascension. Every track hits like a heavyweight knockout—blending off-grid snares, filthy basslines, and soaring soul chops with Busta’s apocalyptic precision. He treats every lost Detroit tape like a battleground, unleashing a larger-than-life energy that turns unreleased boom-bap into a stadium-sized manifesto.

Forget the cheap nostalgia cash-ins and posthumous butcher jobs. DILLAGENCE II hits with the weight of two master craftsmen operating at the absolute peak of their powers. By locking Detroit’s deepest low-end grooves directly into New York’s loudest, most relentless vocal engine, this record doesn't just honor Dilla's legacy—it kicks the door off its hinges and demands you listen.

4 leftfield club belters by our man Robert Crash on his own label!
200 copies

After 4 years of re-issuing some of the best house and disco, from hard to find deep-house gems to all times classics, Groovin Recordings are really excited to start releasing new music too, featuring some of the best young producers from the new generation. The first release introduces Groove Boys Project (Lucas Moinet and Alexandre Valard), a talented duo from Paris with a unique sound, a classy mix of fender rhodes, jazz chords, MPC based drum beats, soulful strings and some classic synths.
“Studio 937 cuts” is a two tracks EP that show their skills in the best way.
"Never Give Up" is a sophisticated jazzy-house track, composed with Kamasari and GBSiX who wrote the lyrics and the vocal part too. You’ll never get tired of GBSiX’s vocals !
On the B side "Deep In The Blue" is a Fender Rhodes deep-house ballad from Lucas Moinet, for all the Rhodes lovers out there.

12" , transparent vinyl with black dots

pdqb has been spending an increasing amount of time on the Blue Planet lately. From his perspective, this was never going to end well.
With an intelligence operating several evolutionary levels beyond anything currently available to humanity, pdqb identified the problem almost instantly. Humanity's operating system had developed a number of serious inefficiencies, and the planet was clearly heading in the wrong direction. Even artificial intelligence would not be of much help here: created by humans and trained on human knowledge, it remains, in pdqb's estimation, a rather primitive form of intelligence compared to the cognitive systems he carries within himself.
So pdqb has decided to intervene - personally, and in human form. His identity will remain undisclosed. His intervention, however, will be unmistakable: a brief intelligence boost, followed by approximately 10.000 years of world peace.
It will be fine.
Contact Imminent contains three transmissions from pdqb himself, carrying his characteristic Electro-Cognition signature sound - three pieces of evidence that the future is still worth saving.
For the B-side, pdqb selected two Earthlings whose music he already appreciated, but whose name was particularly appropriate for the occasion: Extrawelt.
Because after the intervention, this planet will no longer be what it was. It will not be the old world, nor simply a new one.
It will be an Extrawelt.
A slightly improved version of reality, with another 10.000 years to get things right.

5. VITAL SALES POINTS:
" transparent vinyl with black dots
" mastered by the infamous Andreas LUPO Lubich
" cover artwork by SUPERFLEX
" two remixes by Extrawelt

Riding the least likely commercial success of the 90s with Modern Rock chart topper "Pepper," Austin odd rockers Butthole Surfers returned to the studio in 1998 for the followup, After The Astronaut. Leaning further into experiments with electronics, hip-hop, acid grooves, and the otherwise unusual, the result is a dizzying orbital trip expanding the idea of what's possible in rock music.

Disputes between the Butthole Surfers and Capitol Records left the album unreleased, while the band regrouped and re-recorded some of the material for 2001's Weird Revolution, released through Hollywood Records. After The Astronaut collected dust, eventually developing a mythic status.

A quarter century later, Butthole Surfers are realizing their vision for After The Astronaut. Newly mixed by guitarist/producer Paul Leary, After The Astronaut corrects the record on the band's activity in the late 90s with a bold, idiosyncratic evolution of their sun-fried psychedelia.

Fishtailing across a trimmed sod lawn, the parking lot of a box-store strip mall, a fast food drive-thru––it’s a hyperreal Americana fantasy that calls Caroline Rose (she/they) home on 'Gentling the Horse at the Walt Whitman Mall'. The release doubles as the debut of SUCK records, the LA based artist’s own imprint—a fitting next form for an enigmatic musician whose work resists settling into one shape.

'Gentling the Horse at the Walt Whitman Mall' stretches the ordinary into the uncanny. The record pairs sharply observed, memoiristic songwriting with expansive guitar textures that render the everyday with violent clarity and mythic scale. Beneath its melodic sweep and signature hooks runs a current of violence and American dream leakage.

It’s Ennio Morricone with an AR15: surf guitars, spaghetti westerns, and suburban dread colliding until they become their own sharp vernacular. Reality is unstable, so we’ll keep telling stories—and for Rose, the sinister slickness of the everyday grows a new head.

Working with producer John Congleton, Rose built the record through humor, layering, and instinct rather than polish. Songs like “Conversations with Shiv,” “Goddamn Train,” and “Everything in its Right Place” were recorded in studio for the first time, with sessions that prized first impulses over perfection. The result is panoramic but never precious—songs that feel meticulously constructed while always threatening to mutate.

Over the last six years, Rose’s music has evolved alongside their work organizing around stronger labor protections and collective bargaining rights for musicians and crews. Creative and political practice have increasingly become the same project as Rose’s career has taken on its hyper-independent form. Those concerns echo throughout 'Gentling the Horse'. Its landscapes are populated by inherited systems that feel absurd yet inescapable, where humor becomes a survival tactic and satire reveals the quiet violence embedded in everyday Am

x C2. LIFE DURING WARTIME (ALTERNATE VERSION) 2026 REMASTER
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xb C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]





[xm] E3. CITIES (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]

[xq] F1. MIND (LIVE AT BERKLEE PERFORMANCE CENTER, BOSTON, MA, AUGUST 24, 1979) [2026 REMASTER]










[yl] I1. ARTISTS ONLY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]
[yn] I2. STAY HUNGRY (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]





[yz] J4. AIR (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zd] K2. LOVE GOES TO A BUILDING ON FIRE (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

[zh] L1. MEMORIES CAN’T WAIT (LIVE AT CAPITOL THEATRE, PASSAIC, NJ, NOVEMBER 17, 1979) [2026 REMASTER]

the freshly minted label NANOQ is proud to announce a new album by david sylvian titled 'the distance between the killer and the killing' it's the first album sylvian has released in 15 years. composed of sessions recorded between 2012 - 2025, the album is based on recomposed improvisational sessions with a variety of artists ranging from otomo yoshihide, ryuichi sakamoto, bilianna voutchkova and miako klein, to jamie drouin, lance austin olson and more. the 46min instrumental is unlike anything tackled by sylvian before and is seen by sylvian himself as the official follow up to his 2009 album 'manafon'. in pauline nadrigny's essay on the album, she describes something of the listening experience. '... voices surge that belong to no one in particular. One that hoots and hums across a violin, worked until it loses its voice, becomes mere matter among other matter. A voice inside the breath of a clarinet or a recorder. Grunts, gurgles, distant cries, somewhere between man and bird, woman and nuthatch. Fragments of choirs, far off, snatches of a song long since lost. Too far to be recovered.' 'What a remarkable piece of work. At times it feels like listening to a symphony; at others, as though (sylvian's) voice is speaking through the music. At first, I was trying to find my own sound, but somewhere along the way I completely forgot about that and became utterly absorbed in the music. Hearing Ryuichi's presence emerge here and there throughout the piece also brings a very special feeling for me. Thank you for creating something so extraordinary.' otomo yoshihide 2026

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[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]













[x] C2. LIFE DURING WARTIME (ALTERNATE VERSION) [2026 REMASTER]
[z] C3. DANCING FOR MONEY [2026 REMASTER]
[xb] C4. CITIES (ALTERNATE VERSION) [2026 REMASTER]

Limited edition LP Marbled coloured vinyl in mirror board sleeve 180g marble coloured vinyl. Packaged in a heavy weight 350gsm CMYK-printed mirror board silver reflective outer sleeve with a 170gsm inner sleeve. High gloss finish on both the outer and inner sleeves. the freshly minted label NANOQ is proud to announce a new album by david sylvian titled 'the distance between the killer and the killing' it's the first album sylvian has released in 15 years. composed of sessions recorded between 2012 - 2025, the album is based on recomposed improvisational sessions with a variety of artists ranging from otomo yoshihide, ryuichi sakamoto, bilianna voutchkova and miako klein, to jamie drouin, lance austin olson and more. the 46min instrumental is unlike anything tackled by sylvian before and is seen by sylvian himself as the official follow up to his 2009 album 'manafon'. in pauline nadrigny's essay on the album, she describes something of the listening experience. '... voices surge that belong to no one in particular. One that hoots and hums across a violin, worked until it loses its voice, becomes mere matter among other matter. A voice inside the breath of a clarinet or a recorder. Grunts, gurgles, distant cries, somewhere between man and bird, woman and nuthatch. Fragments of choirs, far off, snatches of a song long since lost. Too far to be recovered.' 'What a remarkable piece of work. At times it feels like listening to a symphony; at others, as though (sylvian's) voice is speaking through the music. At first, I was trying to find my own sound, but somewhere along the way I completely forgot about that and became utterly absorbed in the music. Hearing Ryuichi's presence emerge here and there throughout the piece also brings a very special feeling for me. Thank you for creating something so extraordinary.' otomo yoshihide 2026

Infusing his cinematic, psychedelic musical vision into cutting-edge, bass-heavy electronics, Kutiman presents a euphoric club journey through UK garage, D&B, post-dubstep, and futuristic dance music.

With syncopated drums, deep basslines, and R&B-soaked vocals from standout artists like Jenny Penkin, Misha Sutherland and Odelya Illouz, the project bridges the gap between the indie electronica of Four Tet, Caribou, and Jamie xx and classic alternative club sounds.

Club music is emotional at its heart, and this release captures its essence perfectly; the peak-time euphoria, the moments of introspection & the times spent lost in the music.

1993 album from Guru of Gang Starr fame gets a re-issue on transparent, green vinyl. Italian Import.

**LTD 500 ONLY COPIES ON CRYSTAL CLEAR VINYL**


Time to turn on and turn it up, theres a brand new Carlton Melton in the offing… its been a good couple of years since the West Coast space/sike travellers have dropped new music.


‘Phantomize beyond the window, into the portal, the panes of eternal returns, wooden spirals, roots into the realms of everything and nothing, the reason beings’


With Anthony Taibi fully ensconsed in the metaphorical Melton Dome, this four piece is ready to soar, go deeper and wider into the sike psyche than on previous recordings, now fully recording live with drums, bass, guitars and keys...recorded at 3D Light in Freshwater, CA by Anthony Tiabi in 2025, and mastered by the inimitable John Mcbain in 2026.


We have a single LP of 40+ minutes spanning 4 tracks, that have textures, and waves and patterns to lull you into some fever dream of motorik psych! Touchstones like Träd, Gräs Och Stenar / Kandodo / Guru Guru / Eno & Fripp / Birds of Maya / Parson Sound come into view.


There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus.. you blink and your live flashes before you, the record ends, you want more..


There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus.. you blink and your live flashes before you, the record ends, you want more.. Carlton Melton masterfully blend hypnotic, long-form psychedelic jams with drone and Krautrock influences.


Band:

Rich Millman
Andy Duvall
Clint Golden
Anthony Taibi


Announced to celebrate summers solstice.. released on the Autumn equinox.. with a full UK tour to boot..


Come fly / fry with us…

Thirty tracks to celebrate three decades in the game, the LP is home to music from artists that have helped shaped the sound of the label over the years. Featuring a mixture of both original tracks and iconic catalogue remixes, expect to hear top-shelf cuts from the likes of Netsky, Grafix, S.P.Y, Etherwood, Nu:Logic, Lens, Hoax, Gabriella Bongo and more.

Pressed across five 12" white vinyl records and housed in a premium two-piece lift-off box, this special 30th anniversary edition is the ultimate collectors item.

The album is a live recording of the concert that took place on March 13th, 2026, in Church in Church under the invocation of Saint Stanislaus in Bielsko-Bia?a Poland to mark 30th anniversary of Krzysztof Kie?lowski passing.

Performers:
Edyta Krzemie- soprano
Robert Crowe- male soprano
Jakub Burzyski- counter-tenor
Daniel Domarecki- tenor
Lukasz Konieczny- bass

Rados?aw Pujanek - concertmaster
Beata Ogryzek - violin
Katarzyna Jawor - violin
Aleksander Daszkiewicz - violin
Kamila Jakubowska - viola
Magdalena Pluta - cello
Jan Jerzy Koacki - double bass
S?awomir Berny - gongs, tubular bells
Organ: Jan Szypowski
(Original recording from album "Requiem for my Friend," Warsaw 1997)
under direction of Zbigniew Preisner

A hot slice of Latin dance music — produced by the legendary Masters at Work, the house icons and masters of that Nuyorican sound, “Little” Louie Vega and Kenny “Dope” González — from Los Amigos Invisibles, the Venezuelan band who have spent decades perfecting the art of getting away with everything.

Packed with raunchy songs (of course) that fuse every American genre under the sun — from salsa to acid jazz to disco to funk — this record tore up dance floors twenty years ago.

Three years after the release of their debut album, Do Nothing return with their much anticipated sophomore, 'Friend World'. The Nottingham four piece consisting of Chris Bailey, Kasper Sandstrøm, Charlie Howarth, Andrew Harrison, emerge bolder, self-assured and more energetic than ever.

Lead single 'Stars' gives an insight into the upcoming LP, synth-laden with hypnotic riffs, meandering vocals and bouncing basslines. The single, already a fan favourite, paves the way for listeners to enter the 'Friend World' that Do Nothing have created. At first glance, the album is overflowing with hard hitting guitars, infectious rhythms and frontman Bailey's signature razor-sharp witted lyricism, but dive deeper into tracks such as These People Want Blood and standout track Loner, to find an alternative take on the album, representing a softer and more pensive side of the band's writing.